Third Text

Introduction Low budget theory and philosophy of art in Post‐Soviet Russia 301-304

Tupitsyn, Victor

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Between the immediate and the mediated 305-312

Iampolski, Mikhail

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The actor's body Constantin stanislavski's cinematic theatre 313-321

Aronson, Oleg

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Back from the future 323-331

Groys, Boris

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Western slavic studies 333-335

Ivanov, Alexander

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Visions of the Past Mediated and unmediated history 337-344

Petrovsky, Helen

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Notes on Ilya Kabakov's ‘on the total installation’ 345-352

Podoroga, Valery

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Hegel in the spaces of jubilation 353-362

Ryklin, Mikhail

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Four slogans of ‘collective actions’ 363-368

Sitar, Sergei

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Shock identities 369-377

Tupitsyn, Victor

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Moscow On the ruins of the Third Museum 379-388

Tupitsyn, Margarita

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Run, Matrix, Run Event and intertext in modern post‐mass cinema 389-394

Rudnev, Vadim

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The hunt for migratory signifiers The future exploitation of the unconscious 395-399

Turkina, Olesya and Mazin, Victor

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Public projects or the spirit of a place 401-407

Kabakov, Ilya

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The observation of seals 409-414

Monastyrsky, Andrei

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In search of a critical position 415-418

Osmolovsky, Anatoly

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The dragon and the column 419-425

Peppershtein, Pavel

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Excerpts from conversations 427-434

Mikhailov, Boris and Anufriev, Sergei

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Afterword: the critical disposition 435-438

Sofronov‐Antomoni, Vladimir

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Contributors 439-440

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